Void Reviews

void

CHAIN DLK

The new album from this swedish outfit has been constructed, for author’s choice, exclusively for digital release so the purity of sonic experience is supposed to be above all consideration. Apart for the usual track-by-track commentary and overall judgement it’s necessary to state the impressive sonic experience of this release: it’s one of the best well-sounding release I’ve heard this year. In this position category as novelty or experimentation has any citizenship as all the aesthetical work is done on the formal side of the musical output.

“Dear Diary” is the intro of the release made out of filtered spoken word and a soundscape. “Humanity’s Cradle” is based upon small and continuously moving small noises creating an evocative mood that continues with the next track: “A Curved Blade”. “Reselected” starts with cinematic noises that are colored with a slowly developing line of piano and synth as “Victorian Meltdown” that, instead, ends with a quiet line of piano and some small sinusoidal noises. “Passage” and “Endless Deep” are classic track of the dark ambient genre typical of the author while “Debt”, the longest track of this release, is a constant changing stating from the first cinematic part to the ethereal of the second and the last noisier part. “Trembling” starts quietly and ends in darker territories while “Slower” is a drone intro to a dreamy line of synth. “Ancient Past” is a dark ambient soundscape whose final line of piano serves as an introduction to the last track of this album: “Reap” a short and quiet track giving a sort of rest to this musical journey.

Honestly this is not a release that will be considered as a milestone in the history of dark ambient, however, in times where release are done with some superficiality in the technical output, this will be considered as one of the best release of the year. A must for all fans of the genre..